Pancha Sabhai Sthalangal
Lord Shiva is considered as one of the most important deities among the holy trinity – Lord Shiva, Lord Vishnu and Lord Brahma. He is considered as the God of Thandava (Dance). While his dance moves & postures carry great significance, his dance forms ae Ananda Thandava, symbolises Dance of Happiness and Rudra Thandava, the constructive destruction.
Lord Shiva is called as “Nataraja” who is the Lord of cosmic dance, has four arms and each signifies a specific representation. While the drum held by the upper right represents creation, lower right hand is for blessing. The lower downwards bent hand is for liberation and the flame in the upper left hand represents destruction.
There are Five Dancing Councils / Five Sabhas of Lord Shiva and they are called :
1. Por Sabha or Kanaka – Represented at Chidambaram Natarajar temple or the Ponnambalam
2. Rajitha Sabha or Silver – Madurai Meenakshi temple or the Velliambalam
3. Ratna Sabha or Ruby - Thiruvalangadu Sri Vadaranyeswarar temple
4. Thamira Sabha or Copper - Nellaiyappar Temple
5. Chithra Sabha or Art/painting - Kutraleeswarar temple
Ponnambalam – Por Sabhai – Chidambaram Natarajar temple
Timings : 6.30 a.m. to 12.00 noon - 5.00 a.m. to 9.30 p.m.
Phone : 9443635280
The temple at Chidhambaram is known as Ponnambalam - Gold Sabha. It's importance can be judged from the reference to it as "Thiruchchitrambalam" and its mention at the beginning and the end of every recitation of Dhevaram hymns even to this date. This temple has been sung in a lot of Dhevaram and Thiruvasakam hymns. Many Hindus consider this to be centre of earth and it is where Shiva danced. Here the deity of Shiva is in the form of Nataraja instead of the usual Lingam form.
When once Adhiseshan felt Maha Vishnu unusually heavy, Mahavishnu told that it is his remembrance of Lord Shiva’s dance to the pleasure of all present made him so. Adhiseshan wanting to see the dance of the Lord, came to chidambaram and worshipped the Lord as pathanchali along with sage vyaghra padar, who too was eager to see His dance. Pleased with their long worship, Lord appeared on the thiruvathirai and danced in the golden hall. Kali had competed with him and lost, unable to depict the posture of Shiva when he stood on one leg and lifted the other high above his shoulder called the Urdhva-tandava stance. This place represents the thakarakasham - the sky inside us and the Lord is worshipped in all the three forms, namely, Arupa - which is called Chitambara rahasyam, Aruparupa - Shiva lingam and Rupa - Nataraja.
The Temple marks the evolution of south Indian architecture and generous assistance by Kings, the temple has expanded over a period of time. The 39 acre granite temple is surrounded by massive walls with four big tall gopurams in four directions. The North & South gopurams are 160 feet high with 108 dance postures of Natya Sastra sculpted on them.
The five principal sabhas are called as Kanakasabha, Chit sabha, Nritya sabha, Deva sabha and Raja sabha. Around the main shrines, the Chit Sabha and the Kanaka Sabha (Ponnambalam), is a compound wall with gopurams. The Chola rulers, Krishnadevaraya and the Nayaks have successively expanded the temple
In the Shivaganga Tank (Ganga brought earth by Shiva - called Siva Jnana Ganga tank) Hiranyavarman, the son of Manu, took a dip and got rid of leprosy. It is believed that a dip in the tank and worhsipping of the Lord purifies of all sins and there is no rebirth. To the west of the tank is the large Shrine of the Goddess Shivakamasundari.
The Shrine of Subrahmanya, the chief of Shiva's army, the son of Shiva and Parvati is in the north with the Raja Sabha, a thousand-pillared mandapam on the other side. It is said that the coronation of many Chola kings and later rulers, took place in the presence of the deity. Facing the main temple enclosure southward, is the Nandi enclosure. The entrance to the Govindaraja Temple is within the enclosure.
The idol of Nataraja is in the Chit sabha and behind the idol, is a black screen, which is considered to cover the Akasa Lingam. It is the belief that there is an invisible Lingam, with golden vilva garlands, emphasising the belief that there is everything in nothing. The five silver plated steps to reach the Chit Sabha, represents the Panchakshara mantram - Na ma si va ya. The images of Vyagrapada and Patanjali, are found embossed on the doors.
Many structures found here are the Deva Sabha (the hall of the God), the Santum sanctorum of Devi shrine, Nritya Sabha (hall of dance) of Chola period with figurines of lively of musicians and dancers. In front of the garbha griha is the Kanaka Sabha (Ponnambalam) and devotees assemble here to pray the akash, the inner and outer space
The Thevaraams were kept in a hall for centuries and Rajaraja Cholan recovered before they suffered further damage and gave to the world .
The sanctum of Sivakama Sundari is on the left of Natarajar Sannidhi. Ratnasabhapati (Nataraja of Ruby), the Spatika Lingam of Chandramauleeswara, Swarnakarshana Bhairavar, Mukhalingam are also to be found in the Chitsabha.
In the Kanaka sabha adjacent to the Chit Sabha, poojas are offered and the ceiling of both are gold plated.
Nataraja in Urdhava Tandava pose is in the richly sculpted Nritya Sabha, in the form of a chariot drawn by horses.
Urchava Pancha Murtis (Somaskandar, Parvati, Vinayaka, Subramanya and Chandikeswara) and other deities are in the Deva Sabha.
The Raja sabha measuring 103 metres by 58 metres is in a 1000 pillared hall in the outermost prakaram where Sekhizhar recited the Peria Puranam.
Rathnasabhai – Thiruvalangadu Sri Vadaranyeswarar temple
Timings : 6.00 a.m. to 9.00 p.m.
Phone : 91- 4118-272 608.
This temple known for Rathnasabhai - Ruby hall is a big temple complex with beautiful mandapams and gopurams. The place is also called Vata-Aranyeswaram because the place was once full of banyan trees which is also the sthalavriksham of the temple. The towering Rajagopuram is visible for miles around.
Karaikkal Ammayar is said to have walked on her head to this shrine and her image is seen in the shrine for Oordhvatandavamurthy.
There is another image of Nataraja, within the sanctum of the Lord.
Rajendra Cholan has given grants for the upkeep of the temple. The towers and the walls surrounding courtyards are constructed aroun 12th / 13th centuries. From the inscriptions we come to know that an older Pallava temple was renovated during the Chola rule, and later during the reign of Kulottunga Chola I the temple campus was enlarged.
Two demons Sumba and Nisumba staying in this banyan jungle were harassing the Devas who appealed to Mother for protection. Mother Parvathi created a furious Kali and destroyed the demons and her ferocity did not subside. .
When Lord Shiva reached the place, Kali challenged the Lord for a dance. The dance began and the Lord dropped His ear ring on the ground, picked it by the toe of His left leg and fixed it back on His ear during the dance. Kali accepted her defeat out of a natural shyness for a woman. Lord Shiva said that those coming to worship Him here, should worship Her first to reap the full benefit of the worship. Kali has Her own temple to grace the devotees.
Velliyambalam – Madurai Meenakshi temple
Timings : 5.00 a.m. to 12.30 p.m. 4.00 a.m. to 10.00 p.m.
Phone : 0452-2344360, 2349868.
The temple the Velliyambalam - Rajath Sabha or Silver Hall, facing south in front of the Sanctum Santorum of the Lord. The Golden Lotus pond or, the Potramaraikulam (golden lotus tank), is ancient where devotees take holy dip in the water. Tamil sangam of those years met and debated around this tank as the meeting place for the academy of poets which adjudged the quality of work of literature presented before it by throwing it into the tank and those that did not sink were considered worthy of attention. The tank is surrounded by a pillared corridor with steps lead down to the tank.
Lord Shiva came as Raja Saundhara Pandiyan to marry Meenakshi, daughter of the King. Pathanchali and Vyagrapadha also attended the marriage. They wanted to take food only after witnessing the Lord's dance in Chithambaram and the Lord danced in the Silver Hall in Madurai fulfilling their desire.
In this temple, Lord Natarajar stands on His left leg with the right foot raised unlike other temples. The Pandya king Rajashekaran who ruled from Madurai, was a great devotee of Shiva and an expert in 63 out of 64 great arts and left the art of dancing due to his devotion to Lord Nataraja. But on realising that it might go as a mark of demerit, he started learning it. When he tried the posture of Lord Nataraja, he found it very difficult and thought how painful it would be for the Lord Nataraja to continuously stand in that posture for centuries. He went to the Silver Hall, and prayed the Lord to change His feet to ease His pain. But the Lord didn't relent and the dejected Rajashekaran tried to cut off his head. Pleased with his devotion the Lord obliged and changed His leg in the dancing posture with left foot raised. Hence only in this place Nataraja is depicted in standing on his left leg.
Thamirasabhai – Nellaiyappar Temple
Timings : 5.30 a.m. 12.30 p.m. 4.00 a.m. to 8.30 p.m.
Phone : 0462 – 2339910 89733 3070
Thirunelveli also is one of the five places where Lord Shiva is said to have displayed his dance.
The Copper Hall of Dance is a brilliant work of art located within the precincts of the temple. During Arudra Darisanam the images of Nataraja and Sivakami are worshipped here during the enactment of the Cosmic Dance of Shiva. A shrine to Sandana Sabhapati (adorned with sandal paste) is located right behind the Thaamira Sabha. One can have a combined vision when walking towards the Thaamira Sabha, the visual of Sandana Sabhapati seen through the Thaamira Sabha presents an awesome sight. In the other Nataraja shrine called the Periya Sabhapati shrine, services are carried out here on special occasions, and this idol never moves from this shrine.
Within the temple premises, in the shrine dedicated to Lord Vishnu (Nellai Govindan) he can be seen in a lying posture. The belief is that Lord Vishnu had visited Thirunelveli to solemnize the divine marriage of Shiva and Parvathi. The temple has beautiful sculptures, musical pillars, valuable jewels, a golden lily tank and a thousand pillared mandapam.
The musical pillars in the Mani Mandapam (7th century AD by Nindrasir Nedumaran or Koon Pandyan) produce various musical notes sound when gently struck. There are inscriptions dating around 1000 years old.
Chithirasabhai - Kutraleeswarar temple
Tmings : 6.00 a.m. to 12 noon 4.30 a.m. to 8.00 p.m.
Phone : 04633 283138, 210138
The Kutraleswar temple dedicated to Sri Tirukutralanathar and Kuzhalvoimozhi Amman (Devi whose voice is as sweet as the music of the flute) has the Chithirasabhai - Picture hall (in which a number of mural painting of rural deities and stories from epics are depicted). The sabhai is located in a scenic setting away from the main temple and resembles other Nataraja Sabhais in Tamilnadu, and its interior is decked with hundreds of murals.
The wedding of Shiva and Parvathi attracted huge celestial crowd at Himalaya that Shiva requested Saint Agastyar to proceed southwards to balance the earth, and Agastyar is said to have created the Shivalingam here by shrinking an image of Vishnu, hence the name Kutralam.. Therefore the deity has a permanent headache and to cure him, the abhisheka is practiced every night with 64 herbs. During the pooja at night, a Prasadam is prepared with a mixture of herbs. The temple has a conch shaped Prakaram and hence referred to as Sangakkovil. The shape of the temple’s conch indicates that it was a Vaishnative temple.as the conch is sacred to the Vaishnavites. Shiva shows himself as Bhrama and Vishnu. The Tirikootamandapam here is the site for all celebrations & festivities. Parvati's shrine is regarded as one of the 64 Shakti Peethams.